Epic Systems – the software that powers everything – American Healthcare Chronicles

I recently started building products focused on healthcare affordability in the US. As I was ramping up on a new space, the biggest question that sparked my curiosity was: how did we get here? This question is the inspiration for this weekly series chronicling the decisions, accidents, and breakthroughs that built the US healthcare system.


To understand why Epic exists, you need to understand what happened to American healthcare after World War II.

The wage freeze of 1942 didn’t just create employer-sponsored insurance — it created a three-way relationship between patients, providers, and payers that hadn’t existed before. A doctor saw a patient. But now a third party — the insurer — decided what to pay, and under what conditions. To get paid, physicians had to document, code, and justify every interaction to a bureaucracy with its own rules.

Medicare and Medicaid in 1965 added the federal government as the largest single payer in the country. The documentation requirements didn’t just continue — they multiplied. A diagnosis needed a code. A procedure needed a code. The attending physician’s notes had to justify both. By the 1970s and 80s, as private insurers followed the same model, getting paid had become a full-time administrative task running parallel to the actual practice of medicine.

This created the conditions for a software behemoth.


In 1979, a computer science graduate student named Judy Faulkner started a company in a Madison, Wisconsin basement with $70,000 borrowed from friends and family. She called it Human Services Computing. Her co-founder wanted to raise venture capital and grow fast. Faulkner refused. He left in 1983.

What Faulkner built — slowly and deliberately over the following two decades — was deceptively simple in concept. A single database. She called it Chronicles. Every clinical record, every billing entry, every scheduling note, every lab result — all of it living in one place, all of it connected. No separate systems that needed to talk to each other. No data loss between the clinical side and the billing side. One source of truth for the entire patient journey.

The contrast with competitors was stark. Cerner, Epic’s main rival, had grown quickly through acquisitions — eventually an amalgamation of 24 different companies stitched together. Integration was always incomplete. Data lived in silos. Chronicles was the opposite of that.

By 2001, Epic had fewer than 90 customers and $50 million in revenue. Then the phone rang.


In 2003, Kaiser Permanente — the largest nonprofit health system in America, the one that appears earlier in this series — issued a request for proposals for a new electronic health record system. The contract was part of a $4 billion infrastructure project covering 30 hospitals, 400 clinics, and 11,000 physicians.

Kaiser’s initial instinct was to split the work. Use Epic for outpatient care — where Epic’s reputation was strongest — and Cerner for everything else. Judy Faulkner said no. Splitting clinical records between two systems meant data loss at the handoff between outpatient and inpatient care. Bad patient experience. Bad medicine. All or nothing.

Kaiser also asked for equity in the deal. Cerner offered 10%. Faulkner said no to that too. Epic didn’t negotiate. It didn’t discount. It didn’t give away equity. They knew they had better software and just prepared harder — Epic’s team flew in the night before the technical due diligence meeting and rebuilt their entire presentation to model Kaiser’s specific transaction flow.

Epic won. Revenue went from $50 million to $162 million almost overnight. The Kaiser deal established Epic as the gold standard for large health systems. The floodgates opened.


Then in 2009, the federal government accelerated everything.

The HITECH Act set aside $27 billion — eventually rising to $35 billion — to incentivize hospitals and providers to adopt electronic health records. In 2008, only 10% of American hospitals used EHRs. The incentives were enormous — up to $44,000 per physician, up to $6.37 million annually per hospital. After 2015, providers who hadn’t adopted EHRs faced Medicare reimbursement reductions.

Epic has faced criticism for its role in drafting the HITECH legislation — Judy Faulkner was involved in the process. Whether that shaped the outcome in Epic’s favor is debated. What’s less debated: Epic was already winning before HITECH. Kaiser had already chosen them. The legislation added tailwinds to a company already on the ascent. It also added complexity — the Meaningful Use requirements created new documentation mandates that compounded the billing burden EHRs were supposed to reduce.

Today Epic supports the records of over 250 million Americans and generates $6.7 billion in annual revenue. Faulkner, who still runs the company at 82, has never taken outside investment, never made an acquisition, and has committed to giving 99% of her assets to charity.


A unified patient record that follows someone across a health system catches drug interactions, flags allergies, and surfaces clinical history at the point of care. Hospital mortality statistics improve meaningfully after EHR implementations mature. MyChart — Epic’s patient portal launched in 1999 — gave patients access to their own records a decade before competitors thought to try it.

And yet physicians today spend roughly half their working hours on EHR documentation. The tool built to manage billing complexity created its own complexity. Doctors enter data not because it helps them treat patients but because it satisfies reimbursement requirements. EHRs became the single most cited cause of physician burnout in the country.

The software that runs American healthcare was built because billing became as complicated as medicine itself. It made medicine safer — and it made being a doctor significantly harder.

Paul Starr’s line applies here too. The dream of reason did not take power into account. Epic didn’t create the billing complexity. It was built to survive it. But in doing so, it became the behemoth that now defines how American healthcare runs — for all its good and all its challenges.

Consider what switching away from Epic actually means. When one major health system attempted to migrate to a different EHR, the project took over a decade and cost tens of billions of dollars — and still wasn’t complete. That’s not a software contract. That’s infrastructure.

Epic controls records for over 250 million Americans, sits at the center of clinical workflows in more than half of US hospital beds, and keeps 35% of its revenue invested in R&D. Every year it expands further — into scheduling, billing, staffing, AI documentation, population health. The question healthcare startups ask isn’t whether to compete with Epic. It’s whether Epic has noticed them yet.

In healthcare technology, you don’t fear running out of runway. You fear ending up on Epic’s roadmap.

The Coopers

Two years ago, for a short period in the summer, we had two juvenile Cooper’s hawks call a couple of trees in our backyard home.

Juvenile hawks are still learning to be adults. So they usually make a lot of noise as part of this process. This included chasing squirrels, walking around the yard, and constantly calling on each other at all hours of the day.

A few weeks ago, we had two juveniles show up again. We have no idea if they were connected to the pair who showed up two years ago. But, sure enough, they made themselves at home and woke us up on weekends with a din of high-pitched calls.

I was reminded of a time at home when my grandparents were telling me off for blasting music before heading out for an exam a few months before college.

My mom told me to not bother and told them – “You’ll miss this when he leaves home in a few months.”

They did. And said so many times after.

It is now good advice for me as a parent. But it turns out it was equally good advice for us as temporary juvenile hawk neighbors as well.

Now that they’re gone, we miss the din they created and are grateful for the time they shared space with us.

On its own merits

An experience doesn’t have to be the greatest of all time for you to enjoy it.

It’s easy to fall into the comparison trap. You can compare this place to the last one, this beach to that one from 2 years ago, and so on. Doing so simply lets the memory of one good thing rob us of another.

It takes a quiet kind of discipline to reset our expectations and take an experience on its own merits, rather than dismissing it for all the things it isn’t.

After all, the only Zen on the mountaintop is the Zen you take with you.

A natural

There’s a player in our Sunday soccer game who’s generally at a level above everyone else. The kind you’d watch for five minutes and call a natural. The ball sticks to his feet. His movement is slick and easy. And he always seems to have so much time on the ball, like the game runs a little slower for him than it does for the rest of us.

I asked him recently whether he’d ever thought about going pro.

Turns out he came up through the fourth division in Argentina, playing all the way to the under-21s. When he was in college, he’d train from early morning to early afternoon, then head to class.

In effect, he’d put in thousands of hours of practice over most of us at the game.

It’s the reminder that never gets old for me. What looks like natural talent almost never is. There’s usually some talent in the mix. But the thing you’re actually watching, the ease, the time on the ball, is a culmination of thousands of hours of practice that came before it.

Old phone

Yesterday I wrote about how Ed Sheeran stopped using his phone back in 2015. There’s a second half to that story he told at the concert.

A few years ago, Ed was sued over “Thinking Out Loud.” The family of Marvin Gaye’s co-writer accused him of copying the feel of an old hit – “Let’s Get It On.” He talked about what it’s like to live through something like that said something true about court cases. You lose when you lose, and you also lose when you win, because of everything the fight takes out of you along the way. His ran for the better part of a decade.

He decided to fight it because the claim was that he’d copied a chord progression. And you cannot own a chord progression. They’re the building blocks of songs, used in hundreds of them, free for everyone to reach for. It mattered so much to him that he said he’d have walked away from music for good if he’d lost. And, to make his point, he played many songs before and after “Let’s Get It On” that all use the same chord progression to the grand jury (and won).

Here’s where the phone story comes full circle. As part of the case, he had to dig out that 2015 phone and switch it back on for discovery. Waiting inside were messages from a friend who has since died, arguments with an ex, conversations with family he’s no longer close to. A lot of old baggage that hit him all at once.

Out of that came a song, “Old Phone.” Writing it was how he closed the chapter, and then he put the phone away again.

He ended the story with a beautiful note about making music about a bad memory. When you go through something hard, creating a song about the experience means you’re able to walk away with gratitude.

This applies well beyond making music of course.

We don’t choose bad situations. But if we find the learning in it, we’ve made the best of it.

I found my old phone today
So full of love, yet so full of hate
I put it back inside there from whence it came
Nothing good will come from regretting

Conversations with my dead friends
Messages from all my exes
I kinda think that this was best left
There in the past, where it belongs
I feel an overwhelming sadness
Of all the friends I do not have left
Seeing how my family has fractured
Growin’ up and movin’ on

No phone

Ed Sheeran hasn’t used a phone since 2015.

He’d kept the same number since he was a teenager, and by the time he was famous, he was receiving thousands of texts a day. It got in the way of being present, so he cut it. Now he has an iPad, spends about an hour a week replying to email, and that’s it.

He’s often shared an example of how this has changed his life. He’s at dinner with his wife, and she gets up to go to the bathroom. Anyone in his position would reach for the phone and start scrolling. Ed just sits there. And it’s in that quiet, doing nothing, that his best lyrics and melodies tend to arrive.

What I love about this is how clear he is on what actually matters. Being a social media sensation does nothing for him if he isn’t making great music. And if the music is the point, then the job is to build a life with the conditions for it.

For Ed, that means doing the one thing few, if any, celebrities, will do. He turns off the phone.

Tiredness

It never ceases to amaze me how consistently I underestimate the effect tiredness has on my demeanour and mindset.

When I’m running on low battery, everything tilts to the wrong end. The small annoyance becomes a grievance. The neutral comment sounds like a dig. The manageable problem feels immovable. And the whole time, I’m convinced I’m seeing the world as it is — not noticing the lens itself is messed up.

Tiredness is sneaky precisely because it hides its tracks. It doesn’t show up as tiredness; it disguises itself as a bad day, a difficult person, a real problem.

So when everything suddenly feels heavier, the first question isn’t what’s wrong. It’s whether I’m tired.

Mismatched energies

With the people we play long-term games with — family, close friends, anyone we’re in it with for the long haul — one thing is easy to forget: some days, our energies simply won’t match.

You could call these moods, but moods feel more momentary. Energy feels like a better term.

For example, one of you wakes up restless, wanting to get things done in a hurry; the other is happy to move slowly and relax. One is buzzing, the other is flat.

In close relationships especially, it’s easy to let that mismatch curdle into an argument — to read meaning into it, to treat it as a sign of something bigger.

But most of the time, the whole solution is just to be aware of it.

This one hit me recently because I’ve been guilty of the opposite — reading too much into a passing mismatch and letting it spoil a perfectly good day, when I could have simply shrugged and said: today isn’t quite working. We’ll try again tomorrow.

Hard and valuable aren’t the same thing

One of the harder truths to internalize is that there’s very little correlation between a problem being difficult and a problem being valuable.

It is easy to fall into the trap of assuming the two travel together. If something is taking all our effort and ingenuity, surely it must matter — and we take the struggle itself as proof we’re doing important work.

But difficulty and value sit on separate axes. Plenty of brutally hard problems are worth little once solved. And some of the most valuable ones are relatively simple — but executing them well is worth a lot.

So, as you attempt to build your career and find yourself drawn to hard problems, make sure they’re also valuable ones to solve.